BOOKS

Threshold Modernism: New Public Women and the Literary Spaces of Imperial London. Cambridge University Press, 2019. Paperback 2021.

Woolf and the City. Coedited with Sarah Cornish. Clemson University Press, 2010.

PEER-REVIEWED ESSAYS

“Reverse Imperial Ethnography and C. L. R. James’s London Writing,” Modernism/modernity 28.2 (April 2021): 311-32.

“Nation, Ethnicity, and the Geography of British Fiction, 1880-1940.” Co-authored with Matthew Wilkens. Cultural Analytics, 2018 (15,600 words).

“London Calling: Una Marson in the Colonial London Scene.” Virginia Woolf and the Common(wealth) Reader. Ed. Helen Wussow and Mary Ann Gillies. Clemson University Press, 2014. 107-14.

“Air War, Propaganda, and Woolf’s Anti-Tyranny Aesthetic.” Modern Fiction Studies 59.1 (2013): 53-82.

“Two Paths for Writing by Women in Modernist Studies.” Special issue on “The Future of Women’s Literature in Modernist Studies.” Literature Compass 10.1 (2013): 30-37.

“‘We are Photographers, Not Mountebanks!’: Spectacle, Commercial Space, and the New Public Woman.” Amy Levy: Critical Essays. Ed. Naomi Hetherington and Nadia Valman. Ohio UP, 2010. 25-46.

“Woolf’s Exploration of ‘the Outer and the Inner’: A Spatial Analysis of The Years.” The Art of Exploration. Ed. Helen Southworth and Elisa Sparks. Clemson University Press, 2006. 112-19. Rpt. in Vol. 4: 2005-2015, Virginia Woolf: Critical and Primary Sources. 4 Vols. Ed. Vara S. Neverow, Jeanne Dubino, Gill Lowe, and Katherine Simpson. Bloomsbury, 2020.

“‘Counter-Jumpers’ and ‘Queens of the Street’: The Shop Girl of Gissing and his Contemporaries.” Gissing and the City: Cultural Crisis and the Making of Books in Late-Victorian England. Ed. John Spiers. Palgrave Macmillan, 2006. 109-17.